![]() ![]() Fuel tank capacity, meanwhile, stands at 12-litres. Other bits on the bike include a 790mm seat height and 180mm ground clearance. The rear disc trim is two kg heavier than the rear drum type, which weighs 145kg. The rear tyre on the drum version is narrow (110 section), whereas the rear tyre on the disc version is broader (130 section). The bike has 90-section front tyres and 17-inch alloy wheels. Front and rear brakes are provided by 270mm petal discs and 200mm petal disc/130mm drum units, respectively. It uses a split-cradle frame with a Showa-tuned rear monoshock and telescopic front fork. The Apache RTR 160 4V's foundations are largely responsible for how well it handles. ![]() In Urban and Rainmodes, it makes 15.64PS at 8600 rpm and 14.14Nm at 7250 rpm, a reduced performance to achieve improved (claimed) fuel efficiency. Yes, it comes with three riding modes: Sport, Urban, and Rain. Here are some other versions we have written at Christ the Kingĭemo – arr.The Apache RTR 160 4V is one of the most potent 160cc motorcycles in the country thanks to its 159.7cc single-cylinder oil-cooled engine, which produces 17.55PS at 9250rpm and 14.73Nm at 7250rpm in Sport mode. Our Help is in the name of the Lord – Psalm 124.8 (Mark Chambers) “O LORD, our Lord, how majestic is thy name in all the earth!” (Psalm 8:1) The Great Hallel of the Passover liturgy also begins with the three-fold invocation of the holy name (Psalm 113:1-3). How often in the psalms we find prayer beginning with the an invocation of the divine name. Theologically, it recalls the oldest forms of the Biblical tradition. “The liturgy of the Genevan Psalter of 1542 begins with the Invocation, “Our help is in the name of the LORD, who made heaven and earth.’ Historically, this short epiclesis of the divine name is a heritage of the Roman Mass of the Middle Ages. ![]() Hughes Oliphant Old in “The Patristic Roots of Reformed Worship” has this to say, HERE is a nice description of John Calvin’s liturgy featuring Psalm 124.8.ĭr. HERE is John Calvin’s commentary on this verse from CCEL. If you typically use a responsive Call to Worship from the Psalms try singing one of these arrangements as a prelude or as a musical response. Often it is referred to as a ‘call to worship’ or sometimes just as ‘opening sentences.’ Either way it directs us in our approach to God in worship, which is always difficult and full of God’s pursuing grace. This is one of the verses that John Calvin strategically chose to begin his worship service every Sunday. Last year when our congregation was worshiping through the Psalms of Ascents (supported by a grant from the Calvin Institute of Christian Worship) we commissioned Mark Chambers (Worship and arts director at Westminster Reformed Presbyterian Church in Suffolk, Va and a fine composer) to write a musical setting of Psalm 124.8 that would be appropriate for our congregation. He thought it was so fundamental to understanding our relationship with God that he used it to begin all of his services at Geneva. Psalm 124 for Stained Glass at Assy 1956-1957, Marc ChagallĮvidently this was John Calvin’s favorite verse in scripture. ![]()
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